Tuesday, November 13, 2012

Cheap Price Nikon Creative Lighting System Digital Field Guide

Nikon Creative Lighting System Digital Field Guide


Nikon Creative Lighting System Digital Field Guide Reviews


If you Find Nikon Creative Lighting System Digital Field Guide cheapest price .This is reviews and overviews for Nikon Creative Lighting System Digital Field Guide
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Product Description

A full-color, go-anywhere guide to Nikon's entire array of creative lighting possibilities

Nikon's Creative Lighting System is like having a low-cost, wireless, studio lighting system that's portable enough to fit into a camera bag. Although the possibilities are endless and exciting, setting up, synchronizing the equipment, and determining lighting ratios can be a bit overwhelming. Luckily, this Digital Field Guide has been completely updated to shed some light on the situation!

Beginning with the basic functions of the Nikon SB-900, the SB-800, and the SB-600, the author then goes on to demystify the complexities of using multiple speedlights, adjusting flash outputs, and setting up a wireless studio.

  • Clearly explains how to get the best results when using multiple speedlights
  • Includes examples and unique advice on how to light specific subjects, such as weddings, wildlife, portraits, product shots, and corporate locations
  • Covers other Creative Lighting System components, such as Nikon's wireless commander and macro speedlights

With this handy, on-the-go guide, you'll no longer be in the dark on Nikon's Creative Lighting System.

Amazon.com Review

Nikon Creative Lighting System Photography Techniques
Amazon-exclusive content from author J. Dennis Thomas

One-Speedlight Portraits
One of the things I like the best of the Nikon CLS is how fast and easy it is to get great portraits with just one Speedlight. For this portrait of Kristin I used an SB-900 off camera and triggered it with an SU-800. I used a shoot-through umbrella for diffusion and the light was placed at a 45ยบ angle to the model. The stand was fully extended and the light was angled down for a Paramount or Loop lighting pattern. Setting up the CLS was simple. I switch the SB-900 to Remote mode and set it for Group A, the SU-800 was set to TTL. After a few test shots I decided to dial down the FEC to –1 EV. The image was shot with a D700 and a 50mm f/1.4G. I chose Manual exposure 1/60 at f/4 ISO 400.


(Click on image to enlarge)

Soft-Light Close-Ups
This is another example of a very simple yet effective lighting technique. For small things such as these raspberries using an overhead light that is very close up give you a nice soft light (the larger the light source in relation to the subject the softer the light is). Setting the light off to the side a bit helps to bring up the contrast which gives a more detailed three-dimensional look. Tis was done with one SB-800 and a shoot-through umbrella placed about 12 inches from the subject. For this shot I used the built-in flash of a D300s to trigger the off-camera SB-800. I set the SB-800 to Group A and the ¬¬¬¬mode to TTL. When shooting with a white background the metering system usually tries to underexpose the image (meters generally try for 18% grey). After a couple of test shots I ended up with a FEC of +2 EV. The image was shot with a D300s and a 105mm f/2.8G VR. Manual exposure 1/60 at f/8 ISO 200.


(Click on image to enlarge)

Top 5 Accessories for the Nikon Creative Lighting System

1. Photoflex LiteDome XS Softbox Kit for Shoe Mount Flashes - 12x16x9" – This small and portable softbox kit is a great accessory for shooting portraits, headshots and small products. It comes with a speedring and the hardware that allows you to connect it to your SB-600, SB-800 or SB-900.

2. Photoflex 30” White Satin Umbrella – If you’re on a budget this inexpensive umbrella can do the trick for portraits and small products. The translucent reflective material allows you to shoot through the umbrella like a softbox or you can bounce from it for a softer indirect light.

3. Manfrotto 1051BAC Aluminum Mini Air Cushioned Compact Stand 6.75' – This is a heavy-duty light stand for holding your Speedlight and lighting modifiers. The air cushion saves your equipment from crashing down if you forget to fully tighten the extension sections.

4. Impact Light Stand 6' – This is a lightweight stand that is inexpensive and perfect for use with one Speedlight and an umbrella. They are compact and great for traveling.

5. Photoflex Shoe Mount Multi-Clamp – This is a necessity if you want to attach your umbrella or softbox to a light stand. It has a clamp to hold the umbrella and it also allows you to tilt your Speedlight for precise control of the light.

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Nikon Creative Lighting System Digital Field Guide Reviews


Amazon.com
Customer Reviews
Average Customer Review
33 Reviews
5 star:
 (12)
4 star:
 (8)
3 star:
 (3)
2 star:
 (6)
1 star:
 (4)
 
 
 

128 of 134 people found the following review helpful
3.0 out of 5 stars Give Us More!, January 10, 2007
By 
Conrad J. Obregon (New York, NY USA) - See all my reviews
(VINE VOICE)    (TOP 500 REVIEWER)    (REAL NAME)   
One of the most exciting innovations in photography occurred a couple of years ago without any fanfare. That was Nikon's introduction of the Creative Lighting System (CLS). This system allowed for the remote control of multiple speedlights (without any wires), including a balancing of their light outputs, from the camera. Even expensive studio lights don't provide this kind of control. Yet ever since its development, camera users have been confused by exactly how to use these capabilities. In part that was due to the spare nature of Nikon's instruction manual, including a lack of detailed explanation of the application of the system (although, to be fair, the manufacturer did provide a pamphlet with sample photographs that showed the deployment of the speedlights in each case.)

This book attempts to remove the confusion by including simplified explanations of the method of setting up the speedlights as well as a lengthy section on using CLS speedlights for a variety of... Read more
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20 of 23 people found the following review helpful
4.0 out of 5 stars Full of Information, May 17, 2007
I felt the book gave plenty of information on CLS. Sure you have to know a bit to grasp what you are being told here, but one can assume that anyone owning a couple of SB800 already has some knowledge of lighting.

For me it filled in serious gaps in the information Nikon gave in it's manual and we are now able to coordinate four 800 units. The Lumedynes are now in the box for backup and nothing more.

As I often say the great thing in my 40 year in the art and business of photography is that as I have gotten older, the equipment has gotten lighter and faster not to mention controlable.
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23 of 27 people found the following review helpful
5.0 out of 5 stars Best Nikon CLS book on the market, July 5, 2007
By 
Matthew Keefe "mkeefe" (Natick, MA) - See all my reviews
(VINE VOICE)    (REAL NAME)   
After just finishing this book I wanted to let other photographers know how great it is. The book begins with explaining the actual flash and what all of those dials and switches do. That section also covers the settings for each mode. Then once you have an understanding of how the hardware works you move into the basics of photography which consists of studio lighting and strobes. This section was particularly valuable to me because the Nikon system meshes with this kind of setup so well.

Only halfway through the book at this point and already learning a ton of very good information. The next chapter is wireless lighting which might be a little beyond the normal photographer, but something you should look in to. A basic basement or guest room can be made in to a great photo studio. You will of course quickly learn this flash isn't only for indoor because it can also be used for some pretty interesting outdoor shots. One of which is extreme sports and events... Read more
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